Melanie Manchot in conversation with Felicity Lunn, director of art center Pasquart.

In her performance, Melanie Manchot brings together a large number of dance institutions from Biel and collaborates with eminently different traditions (Baroque, Afro, Jazz, Breakdance...). You are cordially invited to accompany the dance groups on their processional journey through the old town of Biel and to meet all the dancers and percussionists on the Ring Square.

Guided visit through the expositions of Philippe Vandenberg and Melanie Manchot with Felicity Lunn, director Kunsthaus Pasquart. Free admission

Dance, performance: Eve Chariatte & co (concept), Eve Chariatte (choreography), Laura Kirshenbaum, Catarina Miranda, Dimitrios Mytilinaios, Blandine Pinon, Pascale Utz (interpretation) What is the value of a vial of sweat whose contents are authenticated and what is its meaning? Five dancers are full of energy to this question.

Dance, performance: Eve Chariatte & co (concept), Eve Chariatte (choreography), Laura Kirshenbaum, Catarina Miranda, Dimitrios Mytilinaios, Blandine Pinon, Pascale Utz (interpretation) What is the value of a vial of sweat whose contents are authenticated and what is its meaning? Five dancers are full of energy to this question.

Concert: Rob van Wely (concept, music) The street musician has been on the road in Biel for forty years. For the concert he resorts to more personal compositions.

Concert: Simone Navarro (direction), Daniel Zisman (violin), Michael Zisman (bandoneon) Tango2 is authentic Argentine passion in multi-colored emotions, which is interpreted sensitively with virtuosity in blind interaction by father and son Zisman.

Concert: Ensemble ORION (concept), Noëlle-Anne Darbellay (violin), René Camacaro (violoncello), Olivier Darbellay (horn) The trio offers treasures of the New Music and joyfully breaks the trend of playing an always same repertoire.

Concert: Judith Wegmann (piano) For the concert Le souffle du temps II - Reflection Judith Wegmann interprets seven compositions with improvisation.

Concert: Deborah Marchetti (violin), Judith Wegmann (piano) On the second evening, Morton Feldman “For John Cage” (1982) is played, allowing to experience his own perception of time.